Delhi Four Shows

Publisher:
Om Books International
| Author:
Ziya Us Salam 
| Language:
English
| Format:
Paperback

336

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Weight 250 g
Book Type

SKU:
SKU 9789380070261 Category Tag
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Page Extent:
314

Since the days of veteran
directors like Sohrab Modi and Mehboob Khan and actors like Raj Kapoor and
Dilip Kumar, Delhi had a thriving single- screen theatre culture. While some
halls reserved a box for families, others seated women in an exclusive enclosure,
or reserved aisle seats for the specially-abled, or gave first preference to
members of our defence forces. From Dr Rajendra Prasad, Dr Sarvepalli
Radhakrishnan, Pandit Jawaharlal Nehru to Rajiv Gandhi, the Who’s Who of
Indian politics too had their favourite halls. Single-screen theatres in
Delhi were part of India’s freedom struggle, and a sociological phenomenon.
While most ‘talkies’ still provide the common man his preferred mode of
entertainment, these halls shall soon become a thing of the past, overrun by
an unrelenting multiplex boom. Delhi: 4 Shows—Talkies of Yesteryear is a
clarion call to preserve Delhi’s single-screen theatre culture and the halls
that are sentinels of the city’s cultural and historical heritage.

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Description

Since the days of veteran
directors like Sohrab Modi and Mehboob Khan and actors like Raj Kapoor and
Dilip Kumar, Delhi had a thriving single- screen theatre culture. While some
halls reserved a box for families, others seated women in an exclusive enclosure,
or reserved aisle seats for the specially-abled, or gave first preference to
members of our defence forces. From Dr Rajendra Prasad, Dr Sarvepalli
Radhakrishnan, Pandit Jawaharlal Nehru to Rajiv Gandhi, the Who’s Who of
Indian politics too had their favourite halls. Single-screen theatres in
Delhi were part of India’s freedom struggle, and a sociological phenomenon.
While most ‘talkies’ still provide the common man his preferred mode of
entertainment, these halls shall soon become a thing of the past, overrun by
an unrelenting multiplex boom. Delhi: 4 Shows—Talkies of Yesteryear is a
clarion call to preserve Delhi’s single-screen theatre culture and the halls
that are sentinels of the city’s cultural and historical heritage.

About Author

Ziya Us Salam is Senior Deputy Editor with The Hindu. A noted film and literary critic, he has contributed to the following anthologies—Being Young in the Worlds of Islam and Past Tense: Living on the Edge. He has edited an anthology entitled Housefull: The Golden Age of Hindi Cinema and authored Delhi 4 Shows: Talkies of Yesteryear, both published by Om Books International. His forthcoming book, Strands of Commonality: Postcard of Islam in the Subcontinent, is to be published shortly. He was a jury member of the International Film Festival of India (non-feature film, 211), Best Writing on Cinema (28) and Vatavaran.

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